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by Danielle Brown
wing
tipped & painted, the act
of flying is a smattering
of color, an inventory collapsing
into repeating numerals. the sky
is set:
a back-
ground for clouds and airplanes,
a heuristic of handwritten auto-
biographies. water buffalo caress
the rocks while Passover sleeps and
grins and yawns again. the theory
of flight is insidious and would like
to take the sky apart, but the theory
is so small and unlikely to amount
to anything in this lifetime or the ne...
and so
there's a pair of jeans at the end
of the bed th a wedge of paper
torn from a page -- page three,
the very beginning -- the part
where
Adam had just started
to settle in to the promise
of the land and was turning
to name the aviary but was
for some reason distracted,
caught off-guard by a glimmer
or the creaking of an oak
tree not yet having grown
old. and Adam, not knowing
that such things are natural
or that trees and birds are of
a conventional nature, might
already be assuming the colors
he is seeing are the ownership
of the objects he haship
of the objects he hahe has touched.
the snake
too can chirp and bend in song
and there is more than one way
to interrupt the thought of a man
on his way to see a little world on
its side, a world yearning to fill it-
self with water. (a little water and
a little hand-toss into the film of air.)
it is precisely the combination to bring
along on a brightly-lit and windy day,
and there's nothing o compare to the feeling of being mistaken
for a beast of the air or the after-
feeling
of running
into a version of yourself on its
way back into the wiles of Eden...
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